
Computer
Recording Under $500
Aardvark DirectMix USB3, DirectPro LX6, and
DirectPro 2496
By Dexter Weir
In the years I've been working around recording studios, I've come to appreciate gear that doesn't just sound good but also solid, reliable, and - perhaps most importantly - has value. To stay informed I read most of the gear magazines as well as spend a lot of time on Internet newsgroups, and one name makes a regular appearance among those who appreciate quality - Aardvark. From project studio aficionados to world-class ProTools HD studios, people in the know agree-Aardvark is a company that does digital right.
I looked at three of their best-selling computer recording products recently - the Direct Mix USB3, the Direct Pro LX6, and the Direct Pro 24/96. All three share a commitment to great sound, great quality, and great value. Plus, they're all easy to plug into your home computer for recordings that sound like they were done in a pro studio setting.
USB for you and
me
First to bat is a great companion to any laptop, the Direct Mix USB3. As the name implies, this compact
device plugs into your Mac or PC's USB port and provides two channels of
24-bit audio at a sampling rate of either 44.1kHz or 48kHz. If you're a
guitarist looking to replace your laptop's cheesy sound card with a
great-sounding recording and monitoring interface, this is the way to go.
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Between the two jacks are three switches for configuring the USB3 to your needs. The input select switch optimizes the input electronics for either lo-Z mics or hi-Z guitars by adjusting the impedance, and in the case of the guitar setting, kicks in Aardvark's EFR™ (Enhanced Frequency Response) technology for high-quality direct guitar recording. The Record Select switch gives you your choice of recording the signal from either the mic/guitar input on the front, the left and right line inputs on the back, or a mix of both inputs simultaneously. The Sample Rate switch lets you chose between 44.1kHz and 48kHz sampling rates.
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The USB3 comes complete with Cakewalk software for both the Mac and PC. For Windows users, Guitar Tracks 2 delivers a straightforward and attractive 8-track recording interface that is wonderfully easy to use. After installing, I had it up and running in virtually no time. For the Mac, Cakewalk Metro SE fulfills the same functions.
Given its pro-quality sound, ease-of-use, portability, steel-case construction, and built-in monitoring, the USB3 is an ideal solution not just for home-studio tracking but also for field recording of music, voice, or sound effects.
The deluxe LX
Next to bat is the Direct Pro LX6, which delivers multichannel 24-bit,
96kHz capability, as well as a host of other features you won't find on
your typical sound card. The LX6 uses a custom, shielded PCI card with onboard DSP,
and offers audio, MIDI, and S/PDIF I/O connections to your computer.
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The LX6 also includes powerful DSP mixing software so you can track and monitor your recordings in realtime without slowing down the computer. This comes with 3 DSP-based effects (same as the 24/96 below) to take the pressure off the native processor so you can run more plug-ins and get lower latency!
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The abundance of features and quality of components that Aardvark puts into the LX6 is amazing. What other sound card gives a fully shielded PCI card to keep out computer noise and integrates multichannel I/O with S/PDIF, MIDI, and a convenient headphone output with a level knob? If you're looking for an audio card for your computer, forget SoundBlaster - go Aardvark!
The one with all the goods
For pro-quality computer recording under $500, the Direct Pro 24/96 hits a home run. Based on the same PCI
card as the LX6 and featuring same number of inputs, outputs,
realtime DSP effects, and Control Panel software, the 24/96 adds four Class A discrete mic pre-amps and
switchable 48-volt phantom power. Four Class A mic pre-amps that sound
this good on a unit as affordable as the 24/96 is incredible. And the fact that it has six
surround sound outputs, SPDIF, MIDI, and comes with all the software is
just gravy.
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To tap the power of the 24/96 (and the LX6), Aardvark provides the DSP-powered Control Panel. This is a beautiful piece of work - it not only handles the basics like signal routing and buffer settings, it's also a ten-channel mixer that's every bit as powerful as a hardware mixer - and then some! And because it's DSP-powered, it gives you zero-latency monitoring without slowing down your computer!
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All ten channels can take advantage of the Control Panel's master reverb. This lush effect features a variety of customizable settings, letting you dial in spaces that range from the intimate ambience of a small room to the wash of sound from a massive cathedral. The beauty of this is that you can play back synths, samples, or other tracks while you add in vocals, guitar, or other instruments, and sound like you're all playing in the same concert hall!
You can determine in the Control Panel software whether you're using a mic or an instrument on each channel. In addition, the mic pre-amp features two levels, allowing you to optimize each channel to your particular configuration. This offers unprecedented flexibility for a recording interface and, to my mind, puts the 24/96 in a whole new league.
In fact, when you combine the great sound of the pre-amps with patching and DSP power of the Control Panel interface, you may find yourself wanting to trade your compact hardware mixer for a new microphone!
All in all
For beautiful-sounding recording interfaces, these three products are top
picks. When you consider that they all are under $500, you can see it's a
winning project studio team!
Features
and specs
USB3