Alesis MultiMix FireWire Mixers
Mixers made for studio and stage
By Oscar Sommers
You're in a band. You want to play out and record. You're willing to throw your
time and money behind your music, but both are in short supply. Breathe easy,
intrepid musician, the new Multimix Firewire Mixers
are here to help you balance
it all. While they can't help with your lack of time, they can be the center of
a live and computer recording setup without burning up the available balance on
your credit card. Each MultiMix FireWire mixer provides high-quality analog
mixing and computer recording via an integrated FireWire interface.
The Multimix line
from Alesis has only been around for a few years, but in
that time Alesis has taken it from the analog to the digital age at warp speed.
When the line debuted, the small-format MultiMix FX mixers provided all the
mixing basics plus high-quality 28-bit digital effects at a very reasonable
price. With the addition of the USB models, Alesis gave them a stereo mix USB
output. Now Alesis has introduced three FireWire models: the
MultiMix 16 FireWire,
MultiMix 12 FireWire,
and the
MultiMix 8 FireWire.
These may be the perfect mixers for a band. You get an
analog mixer and all its benefits to use for practices and live shows; then when
you want to record, it's a simple one-cable computer connection to start
tracking.
All the right moves
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Alesis MultiMix 8 |
I received a
MultiMix 16 FireWire
to check out for this review. I like how Alesis didn't try to reinvent the wheel on the analog side of things. They
simply used the proven MultiMix circuitry which incorporates key components
adapted from high-end Alesis mixers and studio gear. While the MultiMixes are
definitely compact, they also have plenty of features, such as XLR and 1/4"
inputs on most of the channels; phantom power; and an aux bus, a post bus, PFL/solo
buttons, mute/monitor buttons, and smooth faders on each channel. Separate 1/4"
balanced main, monitor, and control room outs plus a headphone out give you all
the output options you'll need. And Alesis packaged it all in an
industrial-strength metal chassis.
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Alesis MultiMix 12 |
On the analog side, I was definitely surprised by how good the MultiMix 16
FireWire sounded. I connected a Shure KSM44 to the first channel and was
impressed with the clean, clear, and unhyped frequency response. There was also
plenty of smooth gain from the preamp. The three-band EQ offers judicious
cut/boost in the lows and highs with a sweet-sounding bandpass/reject mid
control that I liked. Mixing in effects using the Post bus was very satisfying,
as it added no discernible noise and the effects delivered everything from
subtle shading to vivid colors. The 28-bit effects section offers 100 presets
with ten selections of gorgeous hall, room, plate, and chamber reverbs as well
as ten presets each of chorus, flange, and delay. The last 30 are vocal harmony
effects and multi-effect combinations.
Fired up
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Alesis MultiMix 16 |
I was really excited to test out the computer recording performance of the
MultiMix 16 FireWire,
Like the other two MultiMix FireWire models, it allows
you to send each channel - plus the stereo mix - to your computer for recording
with two channels returned for monitoring. Even better, all the processing you
apply to the signal from the preamps to the outputs is recorded as well. The
idea of combining quality analog processing with flexible, pristine digital
recording in one unit really intrigued me.
Installation of the drivers was easy, with the Alesis website providing a
fresh, up-to-the-minute download. I easily installed the drivers and the copy of
Cubase LE that ships with the Multimixes
and opened Cubase. After I imported a
drum track I had built in LinPlug's RMIV virtual drum machine, I laid down some
guitar and vocals tracks. I loved the power that having a full analog mixer as
my computer interface gave me. Instead of trying to develop the sound I wanted
with my mouse on a computer screen, I was able to get it right the first time
with the Multimix.
It made using several different mic setups a cinch too. Instead of having to plug and unplug various microphones as I did with my old
two-channel USB interface, now I could set up a variety of mics and simply pick
up the one I wanted when I needed it. It seems to me that for live recording -
say of a band in its rehearsal space or at a gig - the
MultiMix 16
would really
kill.
Alesis has a hit on their hands with the Multimix Firewire
models.
As analog
mixers they provide all the features you need to run a band rehearsal or a club
gig. As FireWire interfaces they successfully pull together the analog and
digital worlds to give you the quality and flexibility you need for great
recordings, live or in your home studio. Their dual functionality and level of
quality far exceed their prices. The Multimix Firewire Mixers
are a tremendous
value and a real asset for any musician.

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